The Aug. 21 chart update also highlights how far the collaboration has moved beyond the previous benchmark. Frankie Laine’s I Believe held the record for decades after spending 18 weeks at No. 1 in 1953. Rein Me In surpassed that total in July and has continued to hold the top position.

The song is showing fresh momentum in the United States as well, although its performance there remains more modest. It climbed from No. 70 to a new peak of No. 50 on the Hot 100 dated Aug. 22, improving on its previous high of No. 64.

The contrast makes Rein Me In an unusual modern hit, with record-breaking popularity in Britain alongside a gradual rise with American listeners.

Lost Boys is the lead single from Lost Weekend, Bridgers’ third solo studio album and her first full-length solo release in six years. The album arrived on August 14, bringing her back to a solo catalog that last expanded with Punisher in 2020.

The chart success adds a new dimension to Bridgers’ commercial track record. She has built a prominent career through her solo releases as well as collaborations and group projects, but a No. 1 radio song marks a separate milestone tied specifically to airplay.

Lost Boys has also received wider exposure through live performances, including appearances on late-night television. Its rise on adult alternative radio now gives the song another notable benchmark during the early weeks of the Lost Weekend release cycle.

As the group begins this next phase, frontman David Le’aupepe has also spoken about changing the way he writes. The newer material puts more emphasis on groove, melody and simplicity, while relying less heavily on autobiography than some of the band’s past work.

The release follows the band’s 2022 album Angel in Realtime. and a period away from regular touring and new original music. Gang of Youths are now working toward their fourth studio album, with the latest song offering an early look at where that project may be heading.

The return also marks a broader reset for the group, with new music and live performances giving fans their first clear sense of this evolving creative direction.

Cuomo appeared alongside drummer Patrick Wilson before Weezer took the stage as the episode’s musical guest. The television appearance came just days before The Gold Album’s scheduled August 21 release, making the gold look part of a busy promotional stretch for the group.

The Gold Album is Weezer’s 20th studio record and continues the band’s long-running tradition of giving several self-titled albums color-based identities. The new project includes songs such as C.E.O., Shine Again and We Might as Well Be Strangers.

Weezer is also preparing for The Gathering world tour, with North American dates scheduled for September and October and additional international shows planned for 2027.

The group behind the proposed takeover announced plans involving roughly 50 investors and a deal valued at about £6.3 million. Smith is expected to participate as both an investor and an ambassador for the club, bringing another recognizable name to the project.

For Smith, the connection is personal. He grew up in Bath before finding international success with Tears for Fears, whose hits include Everybody Wants to Rule the World and Shout.

The investors plan to strengthen Bath City’s finances and infrastructure while supporting the club’s long-term development. The group also hopes to increase interest in soccer within the city, which has traditionally had a strong association with rugby.

Bath City currently competes outside the top divisions of English soccer. The proposed ownership group sees community involvement as an important part of its plans while working toward greater stability and future progress on the field.

Woodall also spoke warmly about Liam Gallagher, praising his presence and image as a frontman. His comments reflected a personal admiration for Gallagher rather than an attempt to rank the broader influence of the two bands.

The actor made the remarks while promoting his new film Tony. Woodall plays Sal, an oyster shucker who becomes an important figure in the early life of Anthony Bourdain. The cast also includes Dominic Sessa and Antonio Banderas.

Oasis and The Beatles remain two of the most recognizable British bands of their respective eras. For Woodall, though, the choice appears to be a simple matter of personal taste, with Oasis getting more regular play while The Beatles remain closely tied to family memories.

The expanded run follows strong demand for the New York concerts, which were originally planned as a limited return to the spirit of the group’s 2008 Burnin’ Up Tour. The band said the response convinced them to take the show on the road and revisit that period of their career with fans in more cities.

Stops include Boston, Toronto, Miami, Los Angeles, Seattle, Denver, Nashville and several other major markets. The tour is scheduled to finish December 21 at Prudential Center in Newark, New Jersey.

Special guests on select dates include Magnus Ferrell, Franklin Jonas and All Time Low, while Deleasa is also scheduled to appear during the tour. General ticket sales begin August 21.

Collins said his condition eventually became severe enough to require hospital treatment. He described suffering organ failure and reaching a point where his family was called while he was receiving intensive medical care.

The 75-year-old musician has also faced several other health challenges in recent years. He continues to deal with mobility problems, including drop foot, and uses crutches to help prevent falls. Collins said multiple operations and ongoing physiotherapy have helped improve his overall condition.

Music remains part of his life as well. Although he has stepped away from regular performing, Collins still has a studio at home and has both unfinished and completed material. For now, his comments offer a rare update on his health, sobriety and connection to music.

The surprise took place at Little Caesars Arena during Adams’ Roll With the Punches Tour. Benatar and Giraldo are serving as special guests on the current U.S. run, and the Detroit show gave the three musicians a chance to share the stage for something outside their usual sets.

Together, they performed Superstition, one of Wonder’s best-known recordings. Originally released in 1972, the song became a defining hit in his catalog and has remained a popular choice for live covers across generations of rock, pop and soul performers.

Adams’ 2026 U.S. tour continues the promotion of his album Roll With the Punches. Benatar and Giraldo have joined him for a series of arena dates, including stops in Buffalo, Detroit and Milwaukee.

The Detroit collaboration gave fans a rare combination of three longtime rock performers tackling a song closely associated with the city’s musical history.